Friday, August 18, 2017

The Best of Glen Campbell

I posted this on Facebook when Glen Campbell died, but figured I would wait to print it here...

I only have one Glen Campbell album, "The Best of Glen Campbell," from 1976 (pictured).  This was from an era when Capitol Records was running a campaign titled "The Greatest Music Ever Sold," with lots of compilations aimed at the holiday market.  This LP hit #11, and even though Glen could have probably filled three LPs with hits at that point -- and even though a lot of the other Capitol compilations were double albums -- they pared it down to his biggest hits on the POP -- not country -- charts for one disk.  So you don't have to listen to "Dreams of the Everyday Housewife," "Dream Baby (How Long Must I Dream)," "True Grit," "Burning Bridges," "Manhattan, Kansas," "Bonaparte's Retreat," "Don't Pull Your Love," "Then You Can Tell Me Goodbye," "Sunflower" or any of his '70s countrypolitan tunes (blech).  You also don't get the mellow theme to the Clint Eastwood film "Any Which Way You Can," which came out later (1980).
(For a good survey of his earlier country-only hits, check out 1971's "Greatest Hits," which only has 50 percent overlap with "Best of.")
Another weird aspect of the 1976 album is that the cover photo (complete with 1970s Dad hair) was apparently taken by Kenny Rogers?
I like this "Best of" not only because it's wall-to-wall enjoyable, but it doesn't substitute live versions for any of the hits (as later compilations seem to).  Beware of the CD of this album; it has a very different track list, but the same cover.
One Glen Campbell cut that never appears on any of his albums is 1965's "Guess I'm Dumb," a tune that Brian Wilson wrote and produced for Glen as he left the touring version of the Beach Boys and headed out on a solo career. Even the backing vocals are by the Beach Boys; it's like a lost BB single.
As a bonus... here's a video I must have watched a thousand times when I was little: Glen Campbell from the Smothers Brothers' 20th Anniversary (February 3, 1988), joined at one point by the great John Hartford.  Within that medley, there's an excerpt of their 1968 appearance, which is available here.

Monday, August 14, 2017

Goodbye, cassette tapes! And VHS, 8-track, Minidisc, DV, Beta...

Around 2000 or 2001, a lot of TV stations started trying to go tapeless. They planned to rely on hard drives for playback and storage of shows, using tape only for ENG (electronic news gathering), which would immediately be digitized and edited for air. But the technology wasn't totally reliable yet. When 9/11 hit, a lot of stations found that out the hard way. Another decade passed before stations were able to really go tapeless, especially since they had to go HD anyway.
Until that point, I was something of a tape hoarder: cassettes, VHS, Hi8, U-Matic, Betacam AND Betamax, 8-track, microcassette, DV, DVCPro, reel tapes... Not only would I try to record my family, I had to tape community events and whatnot for work. I often copied rare TV and radio shows when I could find them.
"You have a Beta tape with an episode of ALF, including the original commercials? I'll send you a blank!"
"You've got a Peter Laughner private-press bootleg? I want it!"
And this was on top of my audio tapes, a collection that had grown since I was old enough to operate my portable Panasonic RQ-2107 cassette recorder. So in addition to store-bought cassettes, 8-tracks and reels, I had blanks with my various garage bands, rare concerts, mix tapes and all sorts of other weird stuff. There's a whole tape of me and my friend fake interviewing eachother in 8th grade under the pretense that he's a British journalist. Another tape is the birth of my younger brother. Playing all these back required me to keep a museum of machines on hand, from Teac 4-track reel decks to a Sony dual-record cassette with Dolby S to a NOS Panasonic car 8-track deck, which I always thought would look cool installed in a new car.
Around 2008, I realized... I'm not the library!  And a lot of this stuff was starting to be posted online.
So I began liquidating my equipment, while also digitizing the tapes. Say what you will about analog purity: I would much rather have the tape of my morning announcements from high school -- recorded with a handheld Toshiba recording Walkman, from a speaker in the ceiling of Mrs. Bernacek's room -- as a 40mb WAV file, instead of on a Richard Simmons Deal-A-Meal cassette with the record-safety tabs covered over. The quality difference does not faze me.
As I've tossed equipment and sent old tapes to either Goodwill or to collectors, my basement has slowly emptied out. My tape collection was likely not as extensive as some people, but it took up probably three large file cabinets, and the equipment was just a big, fat fire hazard.
Finally, last spring, I got a Sony DV/DVCPro  playback deck. Even though these tapes are digital, and the deck had FireWire out, modern computers can't handle that. So I went S-Video into my laptop, while also using a Teac stereo reel deck (on its last legs) to digitize reels into a Marantz flash recorder.

So what did I learn during this multi-year odyssey?
1) Magnetic media sounds magical, but is a pain to store.
2) Cassettes need to be played more than once every 20 years
3) I should have waited to sell all of my Nintendo stuff
4) Garrard turntables are satan
5) Minidiscs were unnecessary
6) Hi8/8mm/Digital8 recorders have the slowest fast-wind on planet Earth
7) There's nothing classic about old VCRs

More importantly, what did I see and hear?
1) A tape of my band from 8th grade playing, and we ROCKED
2) Another garage tape -- recorded with two microphones -- where I say "goodnight left microphone," and "goodnight right microphone" at the end.
3) My son and daughter introducing something called "the big, big shooooooow"
4) My brother asking me to play my "Yellow Submarine" record, and he keeps trying to sing "You all live in a Yellow Submarine" to bother me
5) Me interviewing people at the ice-cream shop in town, right after it opened
6) A tape of me at age 1, greeting my Dad after work, who asks my Mom if she had lunch.  She replies, "I haven't had a candy bar, I haven't had pizza, I haven't had ANYthing," as if those were the only acceptable options for lunch.

Anyhow, you see from the pic at the top of this post, I'm done digitizing!!!! That's the last box of tapes I had, all digitized and bulked and ready to go to the great tape room in the sky.

As for equipment, the Teac reel is going with them. I've sold the Sony DV deck and all my VCRs.  I have a nice Sony cassette machine and a couple of nice portable Walkman recorders to sell. And I'm keeping a nice Otari MX-5050 4-track reel, a Teac half-track reel and a Technics RS-T80R double cassette deck... just in case. Because there were about two dozen cassettes and reels I simply couldn't dump. That's the second pic in this post: a small box of recordings that were really, really good and sound amazing. No point in digitizing them if I still have nice playback machines and perhaps, years from now, I'll mixdown everything properly -- all-analog -- and have it pressed up onto vinyl.
I also saved a half-dozen tapes of family importance: that audio tape of my brother's birth, a brief interview with my Dad on the day he came to America in 1967, a video of my daughter as a newborn. Perhaps in a hundred years, they'll be able to take a magnetic tape and extract the atmosphere and reconstruct someone in person who existed on that tape. Sound crazy?  Well just imagine telling someone in 1917 that, someday, they could see and hear a person in a other country in real-time.  Mind-blowing!