Friday, April 26, 2013

Crazy Bill Cosby


Most people remember Bill Cosby as Cliff Huxtable from the hit sitcom, "The Cosby Show" (1984-92).  But before and after that, he's been best-known for his stand-up.  Hit, Grammy-winning comedy albums in the 1960s cemented his status as one of the finest comedians ever.  But since the "Cosby Show" ended, he's spent 20+ years as an odd caricature of himself, making political statements, fending off a nasty lawsuit, piloting several blase series and films ("The Cosby Mysteries," "Kids Say the Darndest Things," "Cosby," "Fat Albert") and generally seeming (to some people) like a crazy old man.  It's been hard to watch, especially because he's only 75.  Part of it could be the murder of his only son, Ennis, in 1997.  I saw him perform stand-up in 1995 and he was spot-on.

Now, through the magic of YouTube, I can confuse things even further.  Here's Bill guest-hosting "The Tonight Show" in 1974...



He seems charmingly goofy as always.  Same goes for this guest-hosting stint in 1986 in an interview with Andy Griffith about the then-new series, "Matlock"...


And it's no longer online, but someone used to have Bill's final appearance as a guest (with host Johnny Carson) in 1992, which was equally nutty.  So I guess this proves that he should stick with stand-up.  And if this clip is any indication, he has still got it...


That's Cosby with David Letterman on March 19 of this year.  I totally expected this to be more weirdness, but he NAILS it.  Even when you think he's going smug, it's all part of a routine and he KILLS.  Thanks, Bill Cosby. :)  For a fascinating look at the demands Cosby puts on his writers, visit Earl Pomerantz's blog. (Pomerantz wrote the famous goldfish funeral episode, and guided the show early on... he has some great insight into Cosby's grueling creative process).

Tuesday, April 9, 2013

Secret Beatles Songs #2

Some of you might remember a post I wrote about rare andhard-to-find Beatles songs.  I say this because I wrote the post last week.  Here’s more tunes to play out of YouTube because you’re sick of iTunes.

1968: The Beatles launched their own record label, Apple Records, featuring their own new releases, plus albums and singles from Welsh songstress Mary Hopkin and Liverpudlian Jackie Lomax.  Both of them required instrumental backing and producing/writing guidance.  In Lomax’s case, his first disk was “Sour Milk Sea,” a rocking George Harrison tune written in India and featuring a band of George, Nicky Hopkins, Paul McCartney, Ringo Starr and Eric Clapton.  Not bad, except the tune got lost in the shuffle when it was released the same day as mega-hits “Hey Jude” and Hopkin’s “Those Were the Days.”  The Beatles recorded an acoustic demo of “Sour Milk Sea” for possible inclusion on the White Album, and an enterprising music-lover with too much time on his hands (trust me, it’s a him) has combined George Harrison’s demo vocal with the rocking backing track from Lomax’s single.  Find it on YouTube!

1969: Every Christmas from 1963-69, the Beatles would put out a flexi disc (those wobbly, plastic things you’d see in magazines), with best wishes, some off-key singing, etc. By 1968, they couldn’t be bothered to trot down to the studio and put things together, so DJ Kenny Everett visited each group member, rolled tape, then edited it all together. Paul’s contribution in 1969 was a Christmas song, which an enterprising YouTuber (Sum Yun Gi?) has edited together. It’s catchy, too.

1970: Mary Hopkin’s first single to miss the British Top 10, “Que Sera Sera” was produced by Paul McCartney and apparently features just him, Ringo Starr and (supposedly) George Harrison.  The track sounds like it could have easily slotted on “Abbey Road” with more overdubs.  Hopkin fever-CATCH IT!

1970: “It Don’t Come Easy” said everyone alive then.  War raged overseas, and gas had soared to 36 cents per gallon.  Apollo 13 nearly met with disaster.  Heather Graham was born, which almost balances the Beatles breaking up.  Anyhow, Ringo Starr had a big hit with his first single, “It Don’t Come Easy,” which the label said he wrote.  Labels don’t lie, but in this case, I wonder… a demo emerged about 15 years ago, which features the recording of this tune that we all know, except with George Harrison singing!  It’s otherwise identical to the released version (although there are more prominent “Hare Krishna” backing vocals, and a few measures were edited out here and there for a better flow on the released version).  Published reports and foggy memories say the band consists of Ringo, George and (possibly) Eric Clapton, Stephen Stills, Klaus Voorman and Tom Evans and Pete Ham of Badfinger.

Thursday, April 4, 2013

RIP Roger Ebert (Siskel & Ebert and Dave)

Roger Ebert passed away this afternoon, just a day after saying he’d be cutting back on his schedule for cancer treatment. I guess he really meant it.

Back in the 1980s, though, Ebert was full-steam-ahead, co-hosting "Siskel & Ebert" and making TV appearances...


The latest late-night maneuverings have Jimmy Fallon replacing Jay Leno, and Seth Meyers replacing Fallon on “Late Night.” That would make him the fourth host of the show (fifth if you count Tom Snyder’s “Tomorrow” show, which was in the same time slot from 1973-82).

With two decades of blasé lobotomy under Leno’s belt, I can’t think of a single guest with whom he seems to have a special rapport. It’s not appointment television.

Looking back, it was always special when Norm MacDonald was on with Conan O’Brien or David Letterman. Charles Grodin and Don Rickles were both hilarious with Letterman and, even earlier, Johnny Carson. Carson and Rodney Dangerfield were classic. Johnny even fell out of his chair from laughter during one appearance.

One of my new favorite host-and-guest-combos is Siskel & Ebert when they would appear on “Late Night with David Letterman” (and later, “Late Show”). The two Chicago film critics were constantly debating on their own program – sometimes angrily, sometimes dismissively, sometimes hilariously, sometimes warmly, but always intelligently. On Dave’s show, it’s as if they were trying to top eachother. And sometimes, Dave.
Sadly, not all of their appearances are on YouTube right now. I’ve included a list, with dates, descriptions, and links below (I did not link their final appearance in 1998, because it makes me sad).

-Show #17: 3/1/1982
-Show #169: 1/5/1983
-Show #770: 10/2/1986... Part of viewer mail
-Show #1136: 5/3/1989... the pair stand in the wings and wait to review a movie
-Show #1491: 6/26/1991... Siskel & Ebert stand on Paul's shoulders as tiny angels
-Show #1495: 7/10/1991... Celebrity reaction to a news story
-Show #1711: 11/13/1992... Celebrity audience
-Show #1727: 12/18/1992... giving acting lessons
-Show #30: 10/8/1993... Siskel & Ebert are in the super famous audience
-Show #185: 6/27/1994... Siskel & Ebert working at Rock America
-Show #188: 6/30/1994
-Show #273: 11/18/1994... commercial for Big Ass Ham
-Show #327: 2/16/1995
-Show #336: 3/1/1995... Top Ten Nicknames for Dave
-Show #605: 6/10/1996
-Show #748: 2/12/1997... Oscar picks
-Show #822: 6/20/1997
-Show #972: 3/5/1998
-Show #1000: 5/1/1998... Siskel proclaims Leonardo DiCaprio to be hunky during the CBS Mailbag
-Show #1120: 11/20/1998... Final appearance

Tuesday, April 2, 2013

Why Guitar Center Sucks


I have decided to forego my review of “Rock Center” after Brian Williams backed out of helping me install my air conditioner. So today, it’s on to some personal business relating to my good friend.

Let’s call her… Pauline. That’s what the homeless wino who sits outside the music store calls her. Kidding- he WORKS at the store.
And so does Pauline. The wino (David) is a first-class ass. He teaches guitar. Pauline mans (womans?) the front desk. Pauline was smitten by David when he started working there. But then, Pauline and I were going to do a quick recording in one of the practice rooms, and David was like, “include me… I want to help… what are you guys doing… let me play mandolin.”

And I’m thinking, “go away! This requires talent!”
I didn’t actually SAY that; I just thought it and then, later, yelled it at him.

Fast forward a few days… Pauline is not-so-innocently text-flirting with him like a 9th-grade schoolgirl… who has been held back 17 times. He lets it slip that he’s married, and then immediately adds, “but my wife and I have an understanding.”

STOP –morality time.
First of all, Utah is lovely this time of year.
Second, what a scumbag.
Third, he has children.
Fourth, does he think Pauline is so desperate that she’ll jump on this opportunity to wreck a family and make things awkward at work?
Fifth, what a scumbag.

So she said, “oh, never mind” and ended it.

And since then, she has been able to poison the entire staff against him. Subtly. For example, one of the drum instructors asked Pauline to add together his Monday and Tuesday checks, and she said, “oh, just like David wants to add me to his collection of whores?!?!!” Then she threw a handful of bassoon reeds at him and screamed, “Vive La Difference!” It took 3 paramedics just to remove the splinters.

(By the way, big sale on bassoon reeds this week).

So today, he sends a text to the boss saying he’s quitting, he can’t take the atmosphere, everyone is annoying and he just wants to stay home and play guitar. Basically the same thing George W. Bush said on his second day in office.

Right now, Pauline and our acid-tongued Swedish friend, Lena Jr. (don't ask) are drunk-texting insults to David while he laments his poor choices in life. Everyone feels a little better about themselves.

Nothing this exciting would ever happen at Guitar Center.

Open Mic Night


Sooooo many times in the past decade, I’ve been told by people “you should do stand-up,” or “you should grow a beard” or “I think we should just be friends.”
Now I have a beard, and I’m still lonely, BUT when it comes to stand-up, I always have a ready answer: “I already did.”
When I lived in Southern California, there were more open mic nights than transvestites.
There was always a guy who had taken improv classes and thought that meant he could do stand-up by flopping around the stage. A comedian, I mean… not a cross-dresser. Why can’t they be both?!
There was always a dude who purposely was filthy, filthy, flthy so he’d get kicked off the stage after a few seconds, thus making a name for himself. (Clubs usually insist that open mic-ers work clean).
There was always a cute girl who was moderately funny, except her material was about dating problems. I’m not buying it!
I always saw a soccer mom who was scared to death and would mumble aimlessly on stage. I always felt bad for her and wondered if she had a single, younger sister.
And there was always someone who stole their entire act from an old HBO special. (Redd Foxx seemed to be a frequent target).
Then there were a bunch of guys who looked like they wished they were sober enough to be considered stoners… they would have one funny story and 4 ½ minutes of lame “observations” (like over-eating while stoned -- so original!).
And then there was me. Not really fitting into any of these categories, I decided to fashion a story/routine like Bill Cosby. Which was dumb, because I never really liked Jell-o pudding.
The first time I went up, the club was having weekly “contests” in which the 4 or 6 best comedians would be invited back the next week. And I killed. KILLED! I killed so much, Ted Bundy’s uncle came up afterward and said, “you’re making my nephew look bad.” Then he offered me a lift in his Volkswagen.
The next week, I came back and the owner put me on first because I had killed. But he said I should do all-new material. So I killed with two bits; the rest got minor chuckles. I came off-stage and he says, “why didn’t you only tell the jokes that killed?”
The third week, I combined my best material from both appearances, and I killed again. At the end of the night, I was voted out in favor of 1) a kid who stole half his routine VERBATIM from Redd Foxx, 2) a totally unfunny-but-cute girl who also did a magic trick, and 3) a smelly stoner who talked about rambled parent-teacher conferences. Not sure if he was the parent or the teacher.
Most galling was that a very funny but plain-looking girl also got voted out. On second thought, she might have been Ross the Intern. I thought Hollywood had more integrity!
So the next night, I went to a different club. A rotund MC was sitting there in a Hawaiian shirt looking over some papers. I introduced myself, and when we shook hands, I thought he was wearing a catcher’s mitt. Wrong – he just had A HUMONGOUS HAND. Seriously. This thing was BIGGER than a catcher’s mitt. And it had been signed the Angels AND the Dodgers. This was clearly a medical condition, so I stuck to my vicarious WASP-y upbringing... and said nothing.
He gave me an index card to write out my intro. Here’s EXACTLY what I wrote:
“Our next comic comes to us direct from Chicago. He is to comedy what Michael Jordan was (beat) to comedy. Ladies and gentleman....”
Short and sweet. I even wrote “beat” so he’d know where to pause, in case the only comedic bones in his body were, in fact, buried in that giant hand. He glanced at the card, grinned and that was it.
The show starts. One by one, he introduced people with the same kooky-but-bubbly-persona. Sort of like a Jackie Gleason impersonator at Put-In-Bay. I had enough time to go feed my meter and come back -- twice. Finally, he gets up on stage, looks at me, and says, “Our next comic comes to us direct from Chicago, and he really wants to beat Michael Jordan. Ladies and gentleman...”
What what what?
I want to beat Michael Jordan?
The audience didn’t know what to do. “Is this next comic a moron?” they, and I, thought. So I did the only thing I could think of—I made fun of his handicap.
“Actually, my intro said ‘I am to comedy what Michael Jordan was… to comedy’. But you probably couldn’t see that because your giant hand was covering South Africa.”
And so it went.
“How about a nice hand for all the other comics? And a NORMAL hand for our MC, Bazooka Joe.”
(I don’t even know what that means.)
“Do you know what the difference is between you and Michael Jordan? He needed BOTH hands to pick up the United Center.”
All of a sudden, I noticed only the front couple tables were laughing. Everyone else was too far back and never saw the giant hand. So I decided to be a grown-up and make fun of them, too.
“Hey, tables in the back – don’t make me come over there. I did these jokes earlier in my room and I laughed my a-s off.”
Thank you, Don Rickles.
“Any more problems from the balcony and Lincoln’s gonna get it.”
There was no balcony, just me now SHAMELESSLY stealing from Rickles. But everyone was laughing because they expected me, a meek, doctor-ish-looking fellow, to be ruminating quietly about the funny differences between Medicare and Medicaid, or something. They did not expect a barrage of disconnected insults. After a few more, I used the remaining time for my REAL jokes (which went fine), and then left the stage, secure in the knowledge that I could never set foot in that place again.
As I walked out, chatting with another “comic," Mr. MC came running after me. I awaited a slap that would send me into a deep, deep coma at best.
“That was hilarious!” he excitedly told me. “Will you come back next week?”
Relieved, I asked, “Well... what does it pay?”

Next time… a review of “Rock Center” if I can find a sleeping family with a TV set by next Friday.